DJ 的黄金时代(「为什么会有摇滚」系列之二)

Episode 11 · November 1st, 2019 · 51 mins 20 secs

About this Episode

二战后 DJ 和独立电台的兴起。

  • 战后独立电台热;
  • 独立电台的商业模式;
  • RCA 诉 Whiteman 案;
  • DJ 创造的虚拟社区;
  • DJ 如何制造金曲

《talich 闲侃》,有闲得聊,关注美国流行文化史,网址:https://talich.fm

相关链接

主要参考文献

Ennis, P. H. (1992). The seventh stream: the emergence of rocknroll in American popular music. Wesleyan University Press.

Osgerby, B. (2001). Playboys in Paradise: Masculinity, Youth and Leisure-Style in Modern America. Berg Publishers.

Brewster, B. & Broughton, F. (1999). Last night a DJ saved my life: the history of the disc jockey (1st American ed). New York: Grove Press.

Cantor, L. (1992). Wheelin' on Beale: how WDIA-Memphis became the nation's first all-Black radio station and created the sound that changed America. New York: Pharos Books.

Susan Douglas, Listening In: Radio and the American Imagination (Minneapolis: University of Minnesota Press, 2004)

相关录音:

WDIA 在 1953 年出的宣传节目

B. B. King 关于 WDIA 的采访

Martin Block: Make Believe Ballroom, WABC New York, June 16, 1956

Franklin D Roosevelt 的第一次炉边谈话,March 12, 1933

Dewey Philips: Red Hot & Blue, WHBQ Memphis, 1952

Jocko Henderson, WOV 1280AM New York, 1957

Wolfman Jack 在《American Graffiti》里拍演他自己

Hunter Hancock Theme, Johnny Otis 词曲,演奏 Johnny Otis and his California Rhythm and Blues Caravan,Hunter Hancock 播音

登场人物

  • talich: 美国流行文化史爱好者,《娱乐的逻辑》作者